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英語專業(yè)八級(jí)翻譯真題(通用10篇)
英語專業(yè)八級(jí)考試,全稱為全國高校英語專業(yè)八級(jí)考試。下面是小編為大家整理的英語專業(yè)八級(jí)翻譯真題(通用10篇),僅供參考,希望能夠幫助到大家。
英語專業(yè)八級(jí)翻譯真題 篇1
For me the most interesting thing about a solitary life, and mine has been that for the last twenty years, is that it becomes increasingly rewarding. When I can wake up and watch the sun rise over the ocean, as I do most days, and know that I have an entire day ahead, uninterrupted, in which to write a few pages, take a walk with my dog, read and listen to music, I am flooded with happiness.
I’m lonely only when I am overtired, when I have worked too long without a break, when from the time being I feel empty and need filling up. And I am lonely sometimes when I come back home after a lecture trip, when I have seen a lot of people and talked a lot, and am full to the brim(邊緣) with experience that needs to be sorted out(挑選、選擇).
Then for a little while the house feels huge and empty, and I wonder where my self(本性、本我)is hiding. It has to be recaptured slowly by watering the plants and perhaps, by looking again at each one(指代 plant植物)as though it were a person.It takes a while, as I watch the surf(水浪)blowing up in fountains(噴泉), but the moment( 指the lonely moment) comes when the worlds falls away, and the self emerges again from the deep unconscious(潛意識(shí)), bringing back all I have recently experienced to be explored and slowly understood.
參考答案:
只有我在非常疲勞的時(shí)候,在我不斷工作了很長(zhǎng)時(shí)間以后,在我倍感空虛,需要充實(shí)時(shí)候,我才會(huì)感到寂寞。而有時(shí)候在我結(jié)束巡回演講回家的`時(shí)候,在講了很多話后,而且有太多經(jīng)歷需要整理時(shí),我也會(huì)感到寂寞。于是,有那么一會(huì)兒,我感到房子又大又空,我都不知道我的自我又到哪里去了。這時(shí),我必須給植物澆水,并挨個(gè)瞅瞅,仿佛他們是有生命的精靈一般,這樣我才能慢慢找到我的那個(gè)自我。很長(zhǎng)一段時(shí)間,我看著水浪從噴泉中噴涌而出。但只有當(dāng)世界在我身邊逐漸消失,當(dāng)我再次從我內(nèi)心深處的無意識(shí)中冒出來時(shí),帶給我最近的種種經(jīng)歷,讓我探究,讓我慢慢領(lǐng)會(huì)時(shí),我才會(huì)感到寂寞。當(dāng)我因?yàn)槌掷m(xù)工作太久而感覺疲勞空虛,需要充實(shí)一下的時(shí)候,我會(huì)覺得孤獨(dú)。有時(shí),我出差做講座,見很多人,說很多話,回來后腦子里很多東西需要理一理,這時(shí)我也會(huì)覺得孤獨(dú)。
英語專業(yè)八級(jí)翻譯真題 篇2
在人際關(guān)系問題上我們不要太浪漫主義。人是很有趣的,往往在接觸一個(gè)人時(shí)首先看到的都是他或她的`優(yōu)點(diǎn)。這一點(diǎn)頗像是在餐館里用餐的經(jīng)驗(yàn)。開始吃頭盤或冷碟的時(shí)候,印象很好。吃頭兩個(gè)主菜時(shí),也是贊不絕口。愈吃愈趨于冷靜,吃完了這頓筵席,缺點(diǎn)就都找出來了。于是轉(zhuǎn)喜為怒,轉(zhuǎn)贊美為責(zé)備挑剔,轉(zhuǎn)首肯為搖頭。這是因?yàn),第一,開始吃的時(shí)候你正處于饑餓狀態(tài),而餓了吃糠甜加蜜,飽了吃蜜也不甜。第二,你初到一個(gè)餐館,開始舉筷時(shí)有新鮮感,新蓋的茅房三天香,這也可以叫做“陌生化效應(yīng)”。
參考譯文:
We should not be too romantic in interpersonal relations. Human beings are interesting in that they tend to first see good in a new acquaintance. This is like dining in a restaurant. You will be not only favorably impressed with the first two courses. However, the more you have, the more sober you become until the dinner ends up with all the flaws exposed. Consequently, your joy would give way to anger; your praises to criticism or even fault-finding; and your nodding in agreement to shaking the head. What accounts for all this is, in the first place, you are hungry when you start to eat. As the saying goes, “Hunger is the best sauce”, and vice versa.
英語專業(yè)八級(jí)翻譯真題 篇3
大自然對(duì)人的'恩賜,無論貧富,一律平等。所以人們對(duì)于大自然,全都一致并深深地依賴著。尤其在鄉(xiāng)間,上千年來人們一直以不變的方式生活著。種植莊稼和葡萄,釀酒和飲酒,喂牛和擠奶,鋤草和栽花;在周末去教堂祈禱和做禮拜,在節(jié)日到廣場(chǎng)拉琴、跳舞和唱歌;往日的田園依舊是今日的溫馨家園。這樣,每個(gè)地方都有自己的傳說,風(fēng)俗也就衍傳了下來。
參考譯文
Equal are the generous gifts granted/distributed (endowed) by Nature to (on) all human individuals, whether they are wealthy or impoverished (be they wealthy or impoverished). Therefore, all human individuals have become unanimously and profoundly indebted to (obliged to, attached to, dependent on) Nature. This is particularly true in rural areas where ways of life have remained intact and unchanged for people for thousands of years-sowing crops and grapes, brewing and drinking wines, grazing and milking cows, hoeing grasses and planting flower-trees, going to churches for religious prayers and services on weekends, playing musical instruments, dancing and singing on squares. The fields in former times are still their present-day homes glowing with human warmth. In such a way, each locality has evolved its own unique folk tales and has transmitted its distinctive habits and customs.
英語專業(yè)八級(jí)翻譯真題 篇4
加拿大的溫哥華1986年剛剛度過百歲生日,但城市的發(fā)展令世界矚目。以港立市,以港興市,是許多港口城市生存發(fā)展的道路。經(jīng)過百年開發(fā)建設(shè),有著天然不凍良港的'溫哥華,成為舉世聞名的港口城市,同亞洲、大洋洲、歐洲、拉丁美洲均有定期班輪,年貨物吞吐量達(dá)到8,000萬噸,全市就業(yè)人口中有三分之一從事貿(mào)易與運(yùn)輸行業(yè)。
溫哥華(Vancouver)的輝煌是溫哥華人智慧和勤奮的結(jié)晶,其中包括多民族的貢獻(xiàn)。加拿大地廣人稀,國土面積比中國還大,人口卻不足3000萬。吸收外來移民,是加拿大長(zhǎng)期奉行的國策。可以說,加拿大除了印第安人外,無一不是外來移民,不同的只是時(shí)間長(zhǎng)短而已。溫哥華則更是世界上屈指可數(shù)的多民族城市,F(xiàn)今180萬溫哥華居民中,有一半不是在本地出生的,每4個(gè)居民中就有一個(gè)是亞洲人。而25萬華人對(duì)溫哥華的經(jīng)濟(jì)轉(zhuǎn)型起著決定性的作用。他們其中有一半是近5年才來到溫哥華地區(qū)的,使溫哥華成為亞洲以外最大的中國人聚居地。
參考譯文
In 1986, Vancouver, Canada, just marked its centennial anniversary, but the achievements made by the city in its urban development have already captured worldwide attention. To build up a city and model its economy on the basis of a harbor is the usual practice that port cities resort to for their existence and development. After a century's construction and development, Vancouver, which boasts of a naturally-formed ice-free harbor, has become an internationally celebrated port city, operating regular ocean liners with Asia, Oceania, Europe and Latin America. Its annual cargo-handling capacity reaches 80 million tons, with one third of the city's employed population engaged in trade and transportation business.
The glorious achievements of Vancouver is the crystallization (fruition) of the wisdom (intelligence) and the industry of the Vancouver people as a whole, including the contributions made by a diversity of ethnic minorities. Canada is a large country with a small population. Although its territory is bigger than that of China, it only has a population of less than 30 million people. Consequently, to attract and to accept foreign immigrants have become a national policy long observed by Canada. It can be safely asserted that, except for Indians, all Canadian citizens are foreign immigrants, differing only in the length of time they have settled in Canada. Vancouver, in particular, is one of the few most celebrated multi-ethnic cities in the world. At present, among the 1.8 million Vancouver residents, half of them are not native-born and one out of every four residents is from Asia. The 250,000 Chinese there have played a decisive role in facilitating the transformation of the Vancouver economy. Half of them have come to settle in Vancouver only over the past five years, making Vancouver the largest area outside Asia where the Chinese concentrate.
英語專業(yè)八級(jí)翻譯真題 篇5
正是因?yàn)椴煌5刈非筮M(jìn)取,我們才感到生活幸福。一件事完成后,另一件隨之而來,如此連綿不絕,永無止境。對(duì)于往前看的人來說,眼前總有一番新天地。雖然我們蝸居于這顆小行星上,整日忙于瑣事且生命短暫,但我們生來就有不盡的希望,如天上繁星,遙不可及。只要生命猶在,希望便會(huì)不止。真正的`幸福在于怎樣開始,而不是如何結(jié)束,在于我們的希翼,而并非擁有。
參考譯文:
We live in an ascending scale when we live happily, one thing leading to another in an endless series. There is always a new horizon for onward-looking men, and although we dwell on a small planet, immersed in petty business and not enduring beyond a brief period of years, we are so constituted that our hopes are inaccessible, like stars, and the term of hoping is prolonged until the term of life. To be truly happy is a question of how we begin and not of how we end, of what we want and not of what we have.
英語專業(yè)八級(jí)翻譯真題 篇6
Picture-taking is a technique both for annexing the objective world and for expressing the singular self. Photographs depict objective realities that already exist, though only the camera can disclose them. And they depict an inspanidual photographer’s temperament, discovering itself through the camera’s cropping of reality. That is, photography has two antithetical ideals: in the first, photography is about the world and the photographer is a mere observer who counts for little; but in the second, photography is the instrument of intrepid, questing subjectivity and the photographer is all.
照相是一種既兼并客觀世界,又表達(dá)獨(dú)特自我的技術(shù)。照片描繪業(yè)已存在的客觀現(xiàn)實(shí),不過只有造相機(jī)才能揭示這種客觀現(xiàn)實(shí)。照片反映個(gè)別攝影者的.氣質(zhì),這種氣質(zhì)是通過照相機(jī)剪裁現(xiàn)實(shí)而顯示出來的。那就是說,攝影術(shù)有兩個(gè)相互對(duì)立的觀念:第一,攝影術(shù)是反映世界的,攝影者只不過是無足輕重的觀察者; 第二,攝影術(shù)是無畏探索的主觀性的手段,攝影者決定一切。
英語專業(yè)八級(jí)翻譯真題 篇7
Opera is expensive: that much is inevitable. But expensive things are inevitably the province(范圍) of the rich unless we abdicate(退位、放棄) society’s power of choice. We can choose to make opera and other expensive forms of culture, accessible(易接近的,可達(dá)到的) to those who cannot individually pay for it. The question is: why should we? No body denies the imperatives(必要的)of food, shelter, defence, health and education. But even in a prehistoric cave, man-kind stretched out a hand of not just to eat, drink or fight, but also to draw.
The impulse(沖動(dòng)) towards culture, the desire to express and explore the world through imagination and representation(表述、陳述)is fundamental. In Europe, this desire has found fulfillment(完成、成就) in the masterpieces of our music, art, literature and theatre. These masterpieces are the touchstones(標(biāo)準(zhǔn)、試金石) for all our efforts; they are the touchstones for the possibilities to which human thought and imagination may aspire(立志、追求目標(biāo)、渴望); they carry the most profound (深厚的、深刻的)messages that can be sent from one human to another.
譯文:
欣賞歌劇是一種奢侈:你必須為此支付昂貴的票價(jià)。然而,享用昂貴的東西并不完全是富人的特權(quán),除非我們放棄社會(huì)選擇的權(quán)利。我們有權(quán)利使歌劇和其他昂貴的.文化形式面向大眾,面向那些個(gè)人沒有支付能力的人。然而,問題是我們?yōu)槭裁匆@么做。沒有人會(huì)否認(rèn)食物、居所、防護(hù)、健康與教育是不可或缺的。但是,即使在史前的穴居時(shí)代,人們伸出手來,也不僅僅是為了吃喝,為了搏殺,而且還有一個(gè)目的,那就是動(dòng)手作畫。
人們對(duì)文化的沖動(dòng),即人們希望通過想象和再現(xiàn)來表現(xiàn)并探索這個(gè)世界的愿望,才是最根本的。在歐洲,人們通過音樂、美術(shù)、文學(xué)和戲劇等方面的不朽作品的創(chuàng)作,實(shí)現(xiàn)了這一愿望。這些杰作是衡量人類努力程度的試金石,是檢驗(yàn)人類思維和想象潛能的標(biāo)準(zhǔn),它們有著最深厚的寓意,并在人們彼此之間傳播。
英語專業(yè)八級(jí)翻譯真題 篇8
If people mean anything at all by the expression "untimely death", they must believe that some deaths run on a better schedule than others. Death in old age is rarely called untimely--a long life is thought to be a full one. But with the passing of a young person, one assumes that the best years lay ahead and the measure of that life was still to be taken.
History denies this, of course. Among prominent summer deaths, one recalls those of Marilyn Monroe and James Deans, whose lives seemed equally brief and complete. Writers cannot bear the fact that poet John Keats died at 26, and only half playfully judge their own lives as failures when they pass that year. The idea that the life cut short is unfilled is illogical because lives are measured by the impressions they leave on the world and by their intensity and virtue.
參考譯文
如果人們藉"英年早逝"這一字眼真的意欲表達(dá)什么含義的話,他們必然相信某些人的辭世可以算是壽終正寢,而另一些人則"死不逢時(shí)" 。死于年邁很少被冠以"死不逢時(shí)"之名,因?yàn)槟芏冗^漫長(zhǎng)的一生被認(rèn)為是甚為圓滿的'。反之,如果所碰到的是一位年輕人之死,人們會(huì)以為這位年輕人風(fēng)華正茂,前途無可限量,生命的倒計(jì)時(shí)尚未真正開始。
當(dāng)然,歷史否定這一切。在諸多較為著名的"英年早逝"的情形中,我們會(huì)憶起瑪麗蓮.夢(mèng)露與詹姆斯.迪恩斯之死,其生命并不因其短暫而有損其圓滿。對(duì)于約翰.濟(jì)慈年方26便溘然長(zhǎng)逝這一事實(shí),文人墨客們皆痛不欲生,但他們中僅有半數(shù)人詼諧地認(rèn)為,設(shè)若他們也死于這一年齡,其一生可視為失敗。視英年早逝為不圓滿,這一觀念有悖于邏輯,因?yàn)楹饬可某叨饶耸橇艚o世界的印記,是生命的力度及其美德。
英語專業(yè)八級(jí)翻譯真題 篇9
In a calm sea every man is a pilot. But all sunshine without shade, all pleasure without pain, is not life at all. Take the lot of the happiest - it is a tangled yarn.Bereavements and blessings, one following another, make us sad and blessed by turns. Even death itself makes life more loving. Men come closest to their true selves in the sober moments of life, under the shadows of sorrow and loss. In the affairs of life or of business, it is not intellect that tells so much as character, not brains so much as heart, not genius so much as self-control, patience, and discipline, regulated by judgment. I have always believed that the man who has begun to live more seriously within begins to live more simply without. In an age of extravagance and waste, I wish I could show to the world how few the real wants of humanity are. To regret one‘s errors to the point of not repeating them is true repentance. There is nothing noble in being superior to some other man. The true nobility is in being superior to your previous self.
譯文:
在風(fēng)平浪靜的大海上,每個(gè)人都是領(lǐng)航員. 但只有陽光沒有陰影,只有快樂沒有痛苦,根本不是真正的生活.就拿最幸福的人來說,他的生活也是一團(tuán)纏結(jié)在一起的亂麻.痛苦與幸福交替出現(xiàn),使得我們一會(huì)悲傷一會(huì)高興. 甚至死亡本身都使得生命更加可愛.在人生清醒的時(shí)刻,在悲傷與失落的.陰影之下,人們與真實(shí)的自我最為接近. 在生活和事業(yè)的種種事務(wù)之中,性格的作用比智力要大,頭腦的作用遠(yuǎn)不如情感,天資也不如由判斷力控制的自制,耐心與修養(yǎng). 我一直認(rèn)為,開始在內(nèi)心更加嚴(yán)肅地生活的人,也會(huì)在外在上開始生活得更為樸素.在一個(gè)奢侈浪費(fèi)的年代,我希望能向世人表明,人類真正的需要是如此之少.
真正的悔改,是為自己的錯(cuò)誤感到后悔而力求不再重犯.比別人更加優(yōu)秀并不高貴.真正的高貴是優(yōu)于過去的自己.
英語專業(yè)八級(jí)翻譯真題 篇10
世界上第一代博物館屬于自然博物館,它是通過化石、標(biāo)本等向人們介紹地球和各種生物的演化歷史。第二代屬于工業(yè)技術(shù)博物館,它所展示的是工業(yè)文明帶來的各種階段性結(jié)果。這兩代博物館雖然起到了傳播科學(xué)知識(shí)的作用,但是,它們把參觀者當(dāng)成了被動(dòng)的.旁觀者。
世界上第三代博物館是充滿全新理念的博物館。在這里,觀眾可以自己去動(dòng)手操作,自己細(xì)心體察。這樣,他們可以更貼近先進(jìn)的科學(xué)技術(shù),去探索科學(xué)技術(shù)的奧妙。
中國科技館正是這樣的博物館!它汲取了國際上一些著名博物館的長(zhǎng)處,設(shè)計(jì)制作了力學(xué)、光學(xué)、電學(xué)、熱學(xué)、聲學(xué)、生物學(xué)等展品,展示了科學(xué)的原理和先進(jìn)的科技成果。
譯文
The first generation of museums are what might be called natural museums which, by means of fossils, specimens and other objects, introduced to people the evolutionary history of the Earth and various kinds of organisms. The second generation are those of industrial technologies which presented the fruits achieved by industrial civilization at different stages of industrialization. Despite the fact that those two generations of museums helped to disseminate propagate spread scientific knowledge, they nevertheless treated visitors merely as passive viewers.
The third generation of museums in the world are those replete with full of wholly novel concepts notions ideas. In those museums, visitors are allowed to operate the exhibits with their own hands, to observe and to experience carefully. By getting closer to the advanced science and technologies in this way, people can probe into their secret mysteries.
The China Museum of Science and Technology is precisely one of such museums. It has incorporated some of the most fascinating features of those museums with international reputation. Having designed and created exhibits in mechanics, optics, electrical science, thermology, acoustics, and biology. Those exhibits demonstrate scientific principles and present the most advanced scientific and technological achievements.
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